DETAILED NOTES ON RED VELVET TOPS

Detailed Notes on red velvet tops

Detailed Notes on red velvet tops

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Aren't the fabrics and trims Lydia utilizes gorgeous? Sorry the photo doesn't display the bonnet linings, because they're equally Attractive. (Edited so as to add: Lydia tells me the brown bonnet at higher still left was truly made finally year's workshop by Tonya, on the list of other attendees.

It seems to be gorgeous, Alyssa! you probably did a terrific work! I'm sorry that ribbon failed to workout for that bonnet, but with any luck , you'll use it before long :)

Lydia is not only a talented craftswoman, she's an actual artist. Her bonnets are beautiful, and every has a median of 30 hours of labor invested in it. (which is thirty of Lydia's hours--for the novice like me, you may essentially double the time necessary to end a bonnet.) here are some of her creations:

The next move in bonnet design is to protect the sides from the crown, which on a normal regency bonnet has that distinct stovepipe form. This is Lydia, demonstrating how:

Bonnet development also will involve a number of hand stitches: working stitches, whip stitches, buttonhole stitches, overlapping backstitches, as well as the ladder sew which makes the finishing invisible. On the subject of high-quality workmanship, Lydia's approach doesn't Lower any corners, but Lydia and the other attendees were affected person with my newbie cluelessness.

So how did my regency poke bonnet transform out? In the end, I was really proud of the particular development, even though not rather so satisfied with The task I did trimming it.

I wished to have a concluded bonnet Photograph for this web site write-up, but I can generally re-trim my bonnet later--anything any regency heroine truly worth her salt might have recognized the way to do.

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many thanks, Wendy. You would not think how really the bonnets that Lydia and her students make search for near As well as in individual.

following tracing a paper pattern for later use when chopping our fashion masking fabric, we sandwiched the buckram parts amongst levels of pellon, wired them, encased the wires with crinoline tape, then assembled and sewed the pieces alongside one another. I wound up having a kind that looked similar to this:

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the subsequent ways include covering the buckram type with mull, then covering that with manner material, such as the silk lining for your brim. I might purchased ivory silk for my brim lining, and sensibly chose to protect the skin of my bonnet in velvet--I say correctly simply because velvet is a fairly forgiving fabric, and the feel assisted disguise my overly tight hand stitching. Due to my inexperience (and boneheaded makes an attempt to wind a equipment bobbin with thread designed for hand quilting), I used to be many ways driving another attendees, who were being all re-enactors expert in costuming.

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I went by using a Major colour plan, like blue piping alongside the crown and brim, but I do not Assume the ribbon is broad sufficient to go well with the regency proportions.

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